rinximus

Images, fragments, quotations, and references are gathered here not to illustrate ideas, but to probe them. Not as ornament, and not as proof, but as material that allows perception to be unsettled.

What appears is chosen for tension rather than harmony. For friction rather than clarity. Selection follows no theme and no hierarchy; it follows attention.

No guidance is provided. No attempt is made to stabilise meaning. Relations may form, or they may not. What holds is not explained.

This space registers.